THE NATIVITY
An FUMC Sanctuary Window
The Nativity, from a painting by the German artist Feurestein, is based on Luke 2:1-2 and Matthew 2:10-11. Luke’s passage includes the story of the shepherds. Matthew’s account describes the coming of the wise men from the East.
Feurestein places the holy family closely together, giving a sense of strong physical and emotional bonds. Jesus sits quietly in his mother’s lap, while Mary calmly holds him to her heart. Joseph, the earthly father, stands protectively behind them. Jesus’ swaddling clothes of white and Mary’s dress of white and blue signify purity and holiness. Their three halos surely indicate that God is with them.
A young shepherd, simply dressed, kneels at the feet of Jesus. In awesome respect, he removes his hat and lays his staff on the ground. The bearded wise man clasps his hands in a prayerful attitude.
Matthew does not number the magi, but tradition teaches three because there were three gifts. The first was gold, a gift for a king. Biblical scholar Barclay states, “He was to reign, not by force but by love; and he was to rule over men’s hearts, not from a throne but from a cross.”
The second gift was frankincense, a gift from a priest, a bridge builder. Jesus built a bridge between man and God; he was the bridge.
The third gift, myrrh, was a gift for one who was to die, as Jesus came to live and die for us. These gifts at the cradle of Christ foretold King, Priest, Savior.
The nativity window illustrates also the beloved writings of John in Chapter 1:1, 14.
“In the beginning was the Word and the Word was with God, and the Word was God. And the Word became flesh and dwelt among us…..”